Mel Cooke, Freelance Writer
Ken Booth received the only encore for the night at Stars R Us Show, held at Mas Camp, Oxford Road, New Kingston on Friday, April 18.
When John Holt invited those who remained from an already small, but not embarrassingly so, audience at Mas Camp to remove the barriers before the stage and come closer to him and Lloyd Parkes and We The People band, they did.
And they did not just stand there, but danced happily away at nearly 4:00 a.m. on Saturday, as Holt electrified with Carpenter and Stick By Me, among other songs, eventually taking requests at the Oxford Road, New Kingston, party spot.
A few hours earlier, it would have seemed an unlikely end to the vintage music concert, as the turnout was initially very low, many coming in late by vintage concert standards to eventually make up more than enough for a party atmosphere.
And they got a lot to party to, Strange Jah Cole dropping legs to Bangarang, giving all a Rough and Tough Time and walking off-stage hand in hand with a young stand-in who combined with him on When I Call Your Name.
On a brilliantly moonlit night, The Clarendonians kept a steady groove, but after Rudie Bam Bam commented "me nah hear oonuh". There was no problem hearing the ladies squeal, though, when Ernest Wilson went husky and slow for Practise What You Preach, changing part of the chorus to "sex is what I preach". There was a very smooth switch to Dreams To Remember, the ladies yelping as Wilson delved into "wet dreams", and Wilson closed with I stand Accused.
Errol Dunkley smiled expansively, did some 'West Kingston skanks' and kept an infectious slow tempo going through Movie Star, Your Love is Amazing and Black Cinderella, the last getting a restart as it hit hard. "Yu see da tune ya, it mek nuff babies. If a lie me a tell, don' sing a line. If a true, sing," Dunkley said. The mass singalong and restart to It Won't Be Long spoke volumes.
Good start
Strange Jah Cole give a 'rough time' at Stars R Us Show, held at Mas, Camp, Oxford Road, New Kingston on Friday, April 18 - Winston Sill photos
Ken Boothe came out of the gates with a twirl, twinkling toes and Freedom Street and did not look back through Silver Words and Everything I Own, the pendant of his chain bouncing on his chest as he leapt and danced. "Gwaan Missa Boot!" one man shouted repeatedly from the rear of the audience after Artibella and the audience hollered for the night's only encore, Boothe closing up with Puppet on a String.
Leroy Gibbons brought Friday's 'Stars R Us' into the late 1980s, his remake of Four Season Lover setting the stage for a very good start. This Magic Moment hit hard, but Gibbons, walking to and fro purposefully on the stage, was not pleased with Lloyd Parkes and the We The People Band. "I just want my piece. Don't give me Frankie Paul song," he said, to laughter from the audience.
Gibbons closed with Cupid, again rocking the audience, then George Nooks appealed to the faithful after the rockers remake of Bridge Over Troubled Waters, with How Great Thou Art, the hands duly going up in numbers when he asked for those who believed in God.
Near impossible
They stood by him through God Is Standing By and entered Zion Gates. Nooks honoured D. Brown in song, Should I among the cuts, but he finished with the audience on a high at 2:11 a.m. MC Bob Clarke announced a five-minute break to protests.
It turned out to be 20 minutes of Marley music and a few minutes of a very badly misplaced nine- year-old Tiger Bless, who managed the near impossible of getting impatient handclaps on Marley's Redemption Song.
The recovery job was given to Derrick Morgan. But with a 'Forward March' and plugging away with sweet ska, he gradually worked a disgruntled audience back into a party frame of mind. And when his daughter, Queen Ifrica, came on to do Below The Waist, Morgan singing harmony for his daughter and then deejaying the chorus to take the house down, Stars R Us was well back on track.
Frankie Paul mixed R&B cuts with his material, Kushumpeng lighting up Mas Camp, One In a Million done in fine original style and Rivers of Babylon and Rastaman Chant picked up by the Mas Camp chorale, before Stars R Us closed on a high with Holt delivering his 1,000 volts from close range.